Golding in talks for ‘G.I. Joe’ spinoff ‘Snake Eyes’
At the beginning of “47 Meters Down: Uncaged”, a
quartet of young women are given some pretty good advice before going out to
sea: “Don’t get eaten by a shark.” It’s advice, as you might expect, not all
Which of the four makes it out
alive fuels this absolutely satisfying sequel to “47 Meters Down”, this time
with a new cast and set in some ancient underwater labyrinthine tunnels in
Mexico. Forty-four years after “Jaws”, there’s still a shark thriller that
makes your heart pound.
Director and co-writer Johannes
Roberts returns to dangerous waters after the surprising success of his “47
Meters Down” in 2017, which was made for just $5 million and earned $62
million. That one starred Claire Holt and Mandy Moore as sisters whose shark
cage diving experience in Mexico, shall we say, did not go as planned. Sorry,
again, Mexican tourism industry. (Not to rub salt in the wounds, much of it was
filmed in the Dominican Republic anyway.)
Four young actresses – half with
famous parents – have jumped into the aqua this time: Sophie Nélisse, Corinne
Foxx (daughter of Jamie), Brianne Tju and Sistine Stallone (daughter of
Sylvester). There’s a “Mean Girls”-like vibe to the setup and none of the
actresses are given enough to become three-dimensional, but at least their
chatter isn’t about boys. The film manages to pass the Bechdel Test, unless the
sharks are male.
In terms of plot, like its
predecessor, “47 Meters Down: Uncaged” is pretty tidy: Our quartet of high
school students – including feuding step-sisters – foolishly go exploring in a
submerged Mayan city that they are unaware contains – you guessed it – sharks.
Massive blind sharks. Massive blind sharks that are hungry.
Roberts – who with Ernest Riera
co-wrote both films – follows a similar slow wind-up, including echoing opening
scenes, and is a little too fond of showing our heroines cavorting in bikinis.
But once submerged, he has intense skill combining light, water, bubbles and
shadow. We sometimes see sharks before our heroines do, but they still sneak up
on us, even though we know they’re coming.
The dialogue may be banal – “This
place is insane, right?” and “We can’t give up!” – yet there is an
unpredictability to Roberts’ action sequences, both nodding to the conventions
of shark thrillers and subverting them. (No sharks were harmed making the film
– they’re all computer-generated.)
There are little in-jokes
throughout. In a film set in Mayan tunnels, we hear a song by Aztec Camera. The
girls all attend the Modine International School for Girls, a play on Matthew
Modine, who played the boat owner in the first film. The tossing of buckets of
chum in the second film is a callback to the use of it in the first.
has clearly been given a bigger budget and it shows in the nicely realized
submerged city the poor young women must navigate. He’s saddled with a terrible
film title – 47 meters was the depth of the ocean floor in the first film – but
none of that matters once the air tanks and masks go on. He’s like one of his
sharks: Shaky on land but a master in the water.
“47 Meters Down: Uncaged”, an
Entertainment Studios Motion Pictures release, is rated PG-13 for “creature
related violence and terror, some bloody images and brief rude gestures.”
Running time: 89 minutes. Three stars out of four.
“Crazy Rich Asians” star Henry Golding is in early talks to star in Paramount’s
“G.I. Joe” spinoff, “Snake Eyes”, sources tell Variety.
“The Captain” director Robert
Schwentke is helming and Brian Goldner is producing. Evan
Spiliotopoulos, who wrote “Beauty and the Beast” and “The Huntsman:
Winter’s War”, penned the script.
Snake Eyes is a silent ninja
commando who dresses in all black, never reveals his face and doesn’t speak. He
stands out among the military anti-terrorist group and quickly establishes
himself as the group’s most popular member. He also has a special relationship
with Scarlett, the team’s one-time only female member, and sometimes carries
out solo missions with his pet wolf, Timber. His archenemy is Storm Shadow, a
ninja who is also his blood brother. (Agencies)
The pic, based on the Hasbro toys
of the same name, would mark the third “G.I. Joe” film Paramount has produced
in the last decade, with its most recent – starring Dwayne Johnson and Bruce
Willis – bringing in $350 million worldwide.
Sources say the studio and Hasbro
are currently trying to figure out how to put a new spin on the series, even
turning to a writers room for new ideas. Outside of “G.I. Joe”, the studio is
rebooting “Transformers” with a spinoff of the popular character Bumblebee.
By Mark Kennedy